The Steven Avery case has become a national obsession. ID Front Page brings you the story of the man who served 18 years in prison for a crime he never committed... only to find himself back behind bars just two years later, charged in a brutal murder.

The Chargesheet: Innocent or Guilty? is a ZEE5 Original series starring Arunoday Singh, Shiv Panditt, Tridha Chaudhury, Hrishita Bhatt, Ashwini Kalsekar, Satish Kaushik, Kishori Shahane, Shakti Anand and Sikandar Kher. A work of fiction, the series revolves around the murder of Shiraz Malik, a national table tennis champion.

《被告：有罪还是无罪？》深入追踪了那些被指控犯下严重罪行的人在审判过程中逐渐展开的戏剧性内幕故事。每一位被告都坚称自己无罪，或者声称自己的行为是合理的，并将自己的命运交到了陪审团手中。这部备受赞誉的真实犯罪系列节目，为观众呈现了一个人正式面临……时所发生的非凡情景。

A&E 具有开创性的纪录片系列《被告：有罪还是无罪？》将于 1 月 12 日（周四）回归第四季。该系列追踪被控严重罪行的人，记录他们准备辩护、接受审判并等待判决的全过程，展现他们故事的逐步展开。《被告：有罪还是无罪？》深入呈现了那些面临严重犯罪审判的人的戏剧性内幕故事，这些故事在现实中逐一上演……

Ruth Payne, innocent to begin with, is trying to extradite herself from the clutches of a gang-mob who obtained her release from prison on a falsified confession because they thought she knew something they didn't want known. Maizie, the hard-boiled gang-moll and sweetie of the hard-boiled gang-boss comes to her aid.

Court room drama that is played out in front of a “Real“ jury. The jury watches a real case and the we see their deliberations.

When Jenn's old pal Sandra becomes the prime suspect in a murder case, it'll be up to her to discover who done it before time runs out.

The Guilty Innocent is a gripping new series that explores some of the biggest miscarriages of justice in history. Each meticulously researched episode will see EMMY award-winning actor Christopher Eccleston lead an in-depth contemporary investigation into some of the world’s most infamous cases of wrongful convictions. Using archive footage, talking head interviews with historical experts and reconstruction, each exciting close-ended episode will bring to life these fascinating stories and explore why and how the system got the wrong person and what it says about our world today. Presenter: Christopher Eccleston

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

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